Hans Memling, 1480 - Szűz és gyermek Alexandriai és Barbara Katalin szentekkel - képzőművészeti nyomtatás

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Vége 540 éves műalkotás nevű Virgin and Child with Saints Catherine of Alexandria and Barbara festette a északi reneszánsz művész Hans memling Az 540 year-old version of the artpiece was made with the size - Összesen 26 7/8 x 28 7/8 in (68,3 x 73,3 cm); festett felület 26 3/8 x 28 3/8 in (67 x 72,1 cm) és a közeggel festették olaj a fa. Today, this artpiece is part of the digital collection of A Fővárosi Művészeti Múzeumterületén található New York City, New York, Amerikai Egyesült Államok Az közösségi terület műtárgy szerepel a jóvoltából A Fővárosi Művészeti Múzeum, New York, Benjamin Altman hagyatéka, 1913. : Bequest of Benjamin Altman, 1913. What is more, the alignment is in square formátum 1: 1 oldalaránnyal, ami arra utal a hosszúság megegyezik a szélességgel. Hans Memling was a Netherlandish of Dutch nationality, whose artistic style was mainly Northern Renaissance. The Northern Renaissance painter was born in the year 1430 Seligenstadtban, Hessen államban, Németországban, és korában elhunyt 64 1494-ben Brugesben, West-Vlaanderen, Flandria, Belgium.

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• Akrilüveg nyomtatás: An acrylic glass print, which is often referred to as a plexiglass print, changes the original artwork into home decoration. Moreover, it forms a distinct alternative to canvas or aluminium dibond art prints. With an acrylic glass fine art print contrasts and also granular image details become recognizeable with the help of the fine gradation in the picture. The acrylic glass protects your custom art print against sunlight and heat for many years to come.
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What does the The Metropolitan Museum of Art state about this 15th century work of art made by Hans Memling? (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

The picture’s harmonious composition was adapted from a large, celebrated altarpiece Hans Memling completed in 1479 for the Sint-Janshospitaal in Bruges. This smaller, more modest version was commissioned by an anonymous donor who kneels at the left. He is shown reciting his rosary as he contemplates Saint Catherine’s mystic marriage to the infant Jesus. Saint Barbara, whose attribute—the tower—is behind her, sets a meditative example by reading. The grape arbor above the Virgin’s throne and canopy was most likely added shortly after Memling’s lifetime, in the early sixteenth century, when the cult of the Eucharist became increasingly popular.